Drystone Wall Styles

Contrasting styles

Having completed my drystone wall piece in pen and ink on kraft paper I decided  to produce a second canvas piece at 80 x 30 cm. This time my focus was the two walling  styles adjacent to the drive to The English Stamp Company from the Langton – Kingston top road between Swanage and Corfe Castle. Only recently a local waller has rebuilt the wall adjacent to the road in the diagonal style particular to Langton Matravers.

My work was based on photos taken and then zoomed into particular sections. The pictures were taken earlier this month when we had snow in Purbeck.

The work started as a pen and ink drawing and may have stayed that way, in this project however, I found my idea about presentation changing as I developed the work. Now that I am more patient in producing pieces, specially these larger ones there is more time to think.

The surface of the canvas is rougher than the kraft paper I used on the previous piece which didn’t suit the Sakura Pigma Micron fineliners as well. I found the Copic fineliners worked better on this surface.

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At first I was notable to focus on a small section, then came an evening where I was very motivated and completed the older wall section and drew the entire diagonally laid piece in one session. At this point I was very pleased with the pen and ink work but couldn’t see how pen and ink would work at this scale with the landscape features behind the wall.

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The lines needed to be thicker so I went over the work in a thicker nib next.

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At this point the details of the tree in the field were developed, the addition of the two bus stops, the telegraph pole and tree to the right of the picture. The grass was done in several layers allowing different colour grasses and the snow areas being left blank. Having being so bold with the stone borders I decided that this would need to include colour in both walls to make sense.

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These images show how I added colour which was then given a second and in some cases third layer of marker. The last picture showed my companion the ladybird who kept appearing as I worked.

I was pleased at this point but was unsure how to show the shrubby tree/ bushes behind. This section started as fineliners branches, then the addition of marker pen. Eventually I coloured over the branches for the sky then returned to redo the branch and twig patterns – I was uncertain by now if this was just going to end up as a learning exercise and found this difficult to deal with initially, but know it is a skill I will need to take on board.

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The piece has now been completed and the sky is not as smooth as I would like but I need to look at using other media possibly for skies behind strong marker pieces – admitting I need to do some art that is not just pen based, possibly.

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