My largest pen and ink piece to date – an upcycled canvas using brown kraft paper stapled over the canvas – 80 x 30 cms.
So how did I go about it?
I have a clear view of this from our utility room at the back of the house. The long wall is part of our garden boundary. The other wall acts as a barrier to a section of the garden. The boundary wall in particular contains at last three ages of walling during the plot’s life. It is a view I have wanted to draw for a while and wanted to do it justice. My final thought has been to leave the entire picture as a pen and ink piece and not introduce any colour.
I started with the outline of the walls without any inner detail. Each wall was then drawn as a flat view showing the stone patterns. Meanwhile the grass to the left was added and shadow outlines marked. The longest single section was the chippings. Our home is surrounded by a “moat” of chippings on all sides. I chose to draw these as angular pieces individually – both the chippings and stone patterns include an element of artistic license in their recording.
Once that section was completed (over several days to allow for eye strain) I added the cross hatching to indicate the gaps between the stones and shadows cast. Th surface texture of the stones was also added. The final action was to record the shrubs and try that are seen above the boundary wall.
So now it will go up for sale and I have decided that I am keeping a photographic record of these pieces but not having prints made making each one that I do a true one off. First refuser has been contacted – if you are interested in pieces like this please contact me.